One of the main things to learn in watercolor painting is the means by which to control your brush. On the off chance that you don't control the brush appropriately you will struggle with making anything you have as a main priority. In this article you will gain proficiency with a couple of essential procedures for brush control which will assist you with beginning en route to making a few masterpieces.
The principal procedure we will go over is classified "groups of variety" which is very straightforward. In the first place, pick a variety and draw a line with your brush of some sort or another. It's smarter to make it bended or wavy. Presently pick an alternate tone and paint a different line right underneath the first. Attempt to make it as indistinguishable in shape as conceivable to the principal line. You will rehash this a couple of times utilizing different varieties. The significant thing is to pass on barely adequate room between each line to keep the varieties from washing together. Assuming you do this right, you will see a seriously fascinating picture on the material.
The following strategy which is very cool is designated "good and bad." As the name infers, you will paint a line with substituting thicknesses. Start with making the thick part by applying a touch of strain then backing off to make the slight part, and back to thick once more, etc until you have arrived at as far as it goes. This brush strategy is very basic yet successful.
The third strategy is known as the "wrist flick" which is usually used to paint objects like grass. You need to begin at the lower part of the material then flick the brush up. This would make the impact of grass outgrowing the ground. You might have to rehearse a little yet it will surely pay off. Dominating this method and picking the right tone, you will make pieces of sod that look very genuine.
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